1/15/2024 0 Comments Piranesi rome etching![]() Antique Copper Engraving of Trajans Column in Rome by Francesco Piranesi. 2,700 Giovanni Battista Piranesi (1720-1778) Veduta dell’Arco di Tito View of the Arch of Titus from Vedute di Roma Wilton-Ely 185 Hind 55, State I or II Giovanni Battista Piranesi, et al., Rome: c. The dimensions of the imprinted surface are 45/68 cm. Francesco Piranesi (Italian, 1758-1810) 19thcentury etching depicting funerary. The inside dimensions, and therefore of the visible part of the imprinted paper, are 59/71 cm. Joseph Connors’ study of Giovanni Battista Piranesi’s Campus Martius (1762) is a lively and wide-ranging study in a small package.The primary focus is the centerpiece of Piranesi’s volume: his famous Ichnographia or plan-map of the Campus Martius in Rome, a grand and intricate foldout etching that has long fascinated scholars. ![]() ![]() The measurements indicated in the card are the external measurements of the frame. An original Italian etching by Giovanni Battista Piranesi, Veduta della Piazza della Rotonda, depicting a view of Rotonda square in Rome, the Pantheon. The print is framed in simple walnut frame behind the glass. In the upper right corner we find the number "741". Piranesi F." and the number "5-" is indicated. Piranesis influence today derives above all from the series of etchings of labyrinthine prisons known as the Carceri dinvenzione, created in Rome in 1745. At the bottom right we find the signature "Cav. Born in Mogliano Veneto near Treviso (then part of the Republic of Venice), Piranesi was the son of a Venetian stonemason. ![]() Ficacci (curator of the National Institute of Graphic Arts in Rome) presents the complete copperplate etchings of Piranesi, one of the greatest draftsmen of architectural spaces both real and imagined. Artist: Giovanni Battista Piranesi (Italian, Mogliano Veneto 17201778 Rome) Date: 1769. A fine complete set, originally from the Swedish royal family, of the finest illustrated book on Rome and one of the very greatest series of engravings. From his detailed etchings of Rome to the dark imaginings of his fictitious prisons. It represents "View of the ancient Substitutions made by Tarquinio Superbo called the Bel Lido, or as others erected by Marcus Agrippa in the time of Augustus, on the occasion that He had all the Cloaches repurged up to the Tiber." In some places of the View are marked letters that find their explanation in the caption at the bottom of the print. 55.00 15 Used from 40.41 1 New from 100.99. Petrucci, CATALOGO GENERALE DELLE STAMPE TRATTE DAI RAMI INCISI POSSEDUTI DALLA CALCOGRAFIA NAZIONALE, 741, p. He was famous even in his own times because of his very detailed and precise engravings of Rome in the 18th century, and especially for his pictures of the ancient ruins found in the city and surroundings.īelow is a selection of his works, scanned from a book.Etching belonging to the series Views of Rome on an etching made by Giovanni Battista Piranesi in 1776 (C.A. Object Number: 2008.312. Giovanni Battista Piranesi (1720-1778) was an Italian engraver. ![]()
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